You don’t need to read Roll With It in order to enjoy Time to Roll. As a matter of fact, that first book snuck up on us because it adhered to the age-old saying of not judging a book by its cover. Time to Roll follows that formula so successfully that it doesn’t feel like a sequel to another book, but it is. Part of that is our fault because we’ve seen too many follow-ups, sequels, or properties that intended to make themselves multiple entries; but instead merely check off formulaic boxes. Middle school readers, if they give Time To Roll an opportunity, will find themselves enjoying a story that they never thought they would.
Realistic fiction that’s on a roll with readersCategory: mglit
The Umbrella Maker’s Son left us feeling all wet
It’s possible to be too clever or too meta when audiences aren’t ready for it yet. The Umbrella Maker’s Son falls into one, or two of those traps.* The surface of The Umbrella Maker’s Son has a lot going for it that will be attractive to middle school readers. Oscar Buckle is the titular son of an umbrella maker, named after their family and boy does the city ever need umbrellas.** Everything is going well with Buckle and their umbrellas, after all, they’re the best in town and priced appropriately.**** Unfortunately, the city’s other umbrella manufacturer is selling more market share. This causes Oscar to have to quit school and work for his father as an apprentice to learn the family business and ask questions about the competitor.
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Far Out! uses UFOs as cover for a deeper story
Imagine that I’m going to tell you a story about pizza. This pizza starts out in a kitchen, it’s dirtier than most places to cook that you’ve seen, but it gets the job done. The person who works in this kitchen is quite the character. They’ve also got a family who is going through some challenging times that are firmly in the vein of realistic fiction. Having said all of that, is my story more about the pizza, the family, or the place where it’s cooked? Far Out! is mglit that has a similar problem. Its cover hooks you with the 1960s-styled couple of teenagers who are sitting on a wall at night. The girl is using a magnifying glass to examine a rock and the boy is looking towards the sky, presumably for UFOs.

Lia Park and the Heavenly Heirlooms delivers the sophomore goods
Oh Lia Park, you continue to defy our expectations. Your freshman book, Lia Park and the Missing Jewel, had all of the markings for rote, by-the-numbers mglit, until I actually read it. The stereotypical place where I thought your book should be categorized was replaced with variety, a great heel, and a breathlessly fun pace. Now the second book in the series, Lia Park and the Heavenly Heirlooms, opens with Lia’s summer coming to an end and her attendance at the International Magic School about to commence. Hey, look, another book about teen kids at a magic school, where do I sign up to read this one? Yet again, author Jenna Yoon spins a tale that takes staple elements and situations, and turns it into an mglit read that will satisfy fans of the genre and beyond.
Lia Park, going all Empire strikes back in an mglit wayThe Counter Clockwise Heart starts with some of the best 8 pages in mglit
The Counter Clockwise Heart feels like that classic fairy tale that you were never told. It’s a remarkable book that could’ve been three times as long, but in doing so would’ve been half as interesting. The first chapter in The Counter Clockwise Heart is one of the best introductions we’ve read this year. In those eight pages it perfectly sets up the world of the book’s inhabitants. It does so in a way that alludes to great danger and flashes back to times of unimaginable peril. The Counter Clockwise Heart manages to do all of this in a constant, taut manner in a way that will pay reading dividends to those who are looking for a breath of mglit fresh air.
So wonderful that you wish you hadn’t read it, so that you dig it for the first timeThe Kingdom Over the Sea, mglit that’s not as bad as it could’ve been
Stop me if you’ve heard this before. A young girl’s parents have mysteriously disappeared and are presumed deceased. This youth mourns their absence and is trying to figure out the meaning behind the object or writings that she’s worshipped since they’ve been gone. Suddenly a porthole, new person in town, or traumatic event happens that leads our protagonist to a far-flung world where she discovers new things, realizes that she has powers beyond her imagination and just might be able to see her family again. This is a trope that’s running rampant through children’s literature now. Actually, one could say that it’s been a common theme for a long time. However, what was a theme, is now a de facto, almost mandatory synopsis in books that are in my review queue. So, how does The Kingdom Over the Sea fit in relative to this landscape?
Kids 8-12 will dig itPrincess of the Wild Sea, a pleasant teen coming of age, that’s come before
I wanted to really enjoy Princess of the Wild Sea. It’s from Megan Frazer Blakemore and I was a big fan of her previous release, The Story Web. That book had its hooks firmly in the realm of fiction, with just enough power behind the character’s relationships that you wanted it to be real, or at least possible. Princess of the Wild Sea has planted its seeds firmly in the garden of fantasy, with a side dose of magic, heroes, and expectations. It’s mglit that will speak to those who want a patient, lyrical story of a once-magical place that’s now populated by hope.
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The Beast and the Bethany, book 3, keeps the monster mglit fun chomping on
Somehow or another, we didn’t read The Beast and the Bethany book 2. We did read The Beast and the Bethany and absolutely loved it. That book has an appeal that’s a blend of Wednesday, the more malevolent parts of Despicable Me, and just a touch of gross characteristics you want from a beast that’s capable of vomiting anything it thinks of. It’s a book’s testament if it’s able to allow readers to skip a book in the series or to jump into it cold, and still be able to follow along, enjoying the story. The Beast and the Bethany: Battle of the Beast does that in a way that drags along reluctant middle school readers with monstrous ease.
As much monster charm as the first, an effortless MGLit read