Lucy! How Lucille Ball Did it All, illustrated, can-do fun in any era

Author Amy Guglielmo and Jacqueline Tourville have a niche in children’s publishing that speaks to the white spaces in illustration. The blank spaces in illustrations can bring about as much power as the colored parts. A page full of color might seem like more, but it can be overwhelming and is too much. The two authors have paired up two times prior to Lucy! How Lucille Ball Did It All, and while each bok is different, they have strands that bind their quality and maintain their level of interest among elementary and lower-middle school readers. This is all the more surprising because the duo has written non-fiction books on women that typically have flown under the pop culture radar.

Lucy! How Lucille Ball Did It All is an illustrated book for ages 5-11 that transcends black & white television.

In How To Build A Hug they wrote about Autism expert, Dr. Temple Grandin. Pocketful of Colors: The Magical World of Mary Blair, Disney Artist Extraordinaire, told the story about a woman whose work people know, but few outside of the Disney-fandom could readily talk about or reference. With Lucy! How Lucille Ball Did It All, the two are partnered again with the Brigette Barrager, the illustrator that did the wonderful work on Pocketful. This trio work well together, or more accurately, Barrager’s style of art flows very well with the minimalist, yet detailed story they’ve created.

In both books, the subjects could’ve had a much more in-depth look at their lives or accomplishments. Lucy! is predomately about the very early years of Lucille Ball. When she was very young her father died and she lived with her relatives, who did not agree with her constant tomfoolery. This led her to play by herself most of the time. When her mother returned from working in a different city, it allowed Ball to see how much of her she could become.

She performed in local plays, school functions or any activity that let Lucille be the funny person she wanted to become. Her mother saw the passion Lucille put forth, as well as, the local success she had, so she scrounged up the money to send her to acting school in New York City. When Lucille got there she saw that she had the drive, but that because she wasn’t a singer, dancer or dramatic person her ability to make people laugh was going to be challenging. She jumped at any opportunity to get in front of audiences and continued slogging it away. Lucile kept at it, honed her slapstick skills with Buster Keaton and was there when movies started being filmed in Technicolor.

This led to her coloring her hair bright red, which yielded more bit parts in 60 movies over ten years. Unfortunately, this was the same serious stuff that paid bills, but wasn’t the funny money that she knew was in her blood. That fruit happened when she signed on to be a funny housewife in a radio comedy show, My Favorite Husband. It was taped in front of a live audience, which scratched the itch she had for making people laugh and became a very successful show. As television was a new medium it was logical that this be translated to the small screen and the rest of Lucille Ball, I Love Lucy, Desi Arnaz, and the legend that she wrought is history.

 I remember watching I Love Lucy I as a kid. I’ve seen snippets of the show as I wrote this review, which is one reason it took me so long to do. One highlight begets another highlight and so on, the show still holds up today and its humor translates to modern audiences. The only thing that will preclude it from being enjoyed by elementary or middle school audiences to the same degree is the fact that it’s in black & white, and much of the humor is based around relationships. There are still some hilarious physical gags and mistaken identity bits that don’t require any age limit to watch and enjoy.

  Lucy! sets up the events and time period that lead up to her iconic television show. The story of never giving up, working hard for what you want and having the patience to see it through are characteristics that anyone can benefit from. You could easily imagine anyone who has trained hard for something, but had to wait decades until it was their time to go on stage, perform the operation, walk in space or do whatever had led them to that point. It’s resilience 101, a trait that some kids need lots more of and Lucy! is just the entertaining kind of book that they’ll enjoy reading and just might learn something from.

Lucy! How Lucille Ball Did It All is by Amy Guglielmo and Jacqueline Tourville with illustrations by Brigette Barrager and is available on Abrams Books for Young Readers, an imprint of Abrams Books.

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The below was not in the I Love Lucy show, it might not even be about Lucille Ball, but it’s a great song from a criminally underrated band.

The Flicker, dystopian mglit with too much message and not enough fun

Seasons Change as the classic song from Expose goes.  And while some trends in mglit might ebb and flow, the dystopian, end-of-the-world novel with a plucky, female heroine will never die. The Flicker is an entry into that genre that wants to accomplish so much but ends up tripping over its intended inclusiveness. It’s challenging to find a sympathetic or interesting character in the first 85% of the book, and the lengths that it went to in order to check off virtue signal boxes has us recalling that classic Keanu Reeves scene from Always Be My Maybe.  

The Flicker wants to be your favorite new dystopian mglit series, but its slow, preachy, whiny delivery will do all that it can to dissuade all but the most diehard readers.
Kids, there are better books out there than this.

Simone has promise and a great story, but a side agenda of obvious also

Children almost certainly don’t think of books as a gateway to a different world or an opportunity to learn something in a second-hand, entertaining manner. Granted, those two takeaways are a major reason why people enjoy reading books, but to some young elementary ages books are more of a thing that you have to do, and doing things under duress is very rarely cool. Simone is not the first illustrated book that mid to upper-elementary students will look for. Its indistinct cover implies nothing about the book’s plot. All you see is an Asian girl with a sketchbook and paintbrushes, wistfully looking out as waves of colors bend ahead of her.

Simone has beautiful art and a unique, approachable story, but comes with a lesson or agenda that elementary ages know ad nausea.

The art is effective, the story is ok

What Can a Mess Make?, timeless read-aloud that soothes pre-k – 2nd grade

There is a difference between a mess and being messy. Likewise, something dreamy does not mandate that it is sleepy. Unless it’s meant to be read at bedtime, a sleepy illustrated book is not ideal for describing something you want kids to enjoy. Any child can make a mess, yet every child is not messy. What Can a Mess Make? is an illustrated book about a pair of sisters who make the most of their messes via creativity, sharing, forgiveness, patience and life.

What Can a Mess Make? is an illustrated book that brings the feel-goods and constant smiles as comfort food for ages four through eight.
The feel-good times of constant smiles and happy memories await

A Tour of the Human Body, factoid fun for grades 1-4

For a period in every elementary student’s life, they are factoid machines. They have competition between themselves to seek out and parrot one or two-line facts about animals, the more disgusting, bizarre or unknown, the better. This is the age of the exception. Kids may not be able to tell you how many ounces are in a pound, but they’ll be able to tell you at a moment’s notice that you swallow an average of 1,500 pounds of food a year. A Tour of the Human Body: Amazing Numbers-Fantastic Facts is an illustrated book that introduces elementary-aged students to this bag of flesh, organs and bones that accommodate us during our time on Earth.

A Tour of the Human Body is an illustrated book that introduces this complex bag of bones and muscles to kids aged 5-9.
Factoids, the life blood of early elementary shool kids

The Worst Wizard: Awkward Magic, a truth mirror for some reluctant readers

Elementary school students don’t know what a trope is. They might quickly lose interest in a story that’s played out or too familiar, but they can’t say that they weren’t interested in it due to the tired use of its trope. The Worst Wizard: Awkward Magic is reluctant reader food that flies in the face of the plot devices that are trying to drag it down. Wizards and those who don’t realize that they are yet can be an overplayed device in children’s literature. However, kids also want to read about wizards and the underdogs who might become them. You can see how the window of opportunity in capturing young readers in these books can be challenging.

Aye, ye be a reluctant reader mate?

Welcome to Camp Snoopy is Peanuts lit for the Apple TV+ and more

We don’t have Apple TV+. It’s nothing personal against the streaming giant; it’s just that we can’t have every platform because that would nullify any savings that we earned from cord-cutting. However, if I were in early elementary school, and had control over the streaming options in our house, Apple TV+ would certainly be in the first two because of Camp Snoopy. Welcome to Camp Snoopy is a graphic novel compilation from Camp Snoopy, the aforementioned show. It’s a collection of short stories, lessons, and vignettes that the campers encounter during their stay at summer camp.

Welcome to Camp Snoopy is the print, graphic novel-esque compilation of some of the story lines from the Apple TV + show.
We’d buy snippets of Snoopy’s backpack lint

Dead Girls Walking is YA horror that fails to kill

Stop me if you’ve heard this one before, good marketing and not judging a book by its cover walk into a bar. Marketing assures the book that the issues impacting its wider enjoyment will be mitigated by the niche appeal and box-checking demographics. After all, an mglit book whose main character is going to a queer, horror-obsessed overnight camp for girls is ripe for crossover appeal.  Toss in the fact that the author is a Black queer horror writer who is inspired by the culture’s relation to the supernatural. Alas, this is where I need to stop all but the most devout readers who read books by their sense of obligation, as opposed to their overall enjoyment, and put forth that this is not the horror book that the masses are looking for.

Dead Girls Walking has sick seeds of YA horror, but it’s too dramatic up front and too manic and directionless in the second half.

Keep running, from this book
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